Because I have always loved art and have been in awe of artists, I was inspired to write a novel that features an art conservator and uses art to solve a cold case. For several years, I’ve been exploring ekphrastic poetry and micro fiction; I allow art to speak to me and put those feelings and thoughts and interpretations to paper.
As I wrote “A Cruel Light” and as I work on my second Annora Garde Mystery, I did and do absolutely have to keep balance in mind–ensuring that I give equal attention to action, conflict, mystery, suspense, romance, tensions, mood and atmosphere.
Still, as I research, when I find a piece of art or an artist who sets my brain on fire, it’s hard to tighten the reins and not go purple-prose-galloping across my page lickety split.
Take today. Today, while researching figurative art of the 1930s, I learned about Prudence Heward. I’m developing a fictional female artist whose expressionist style was both brash yet beautiful. And I’m now art-crushin’ on this powerhouse.

Girl on a Hill, Efa Prudence Hewerd, 1928
As a child, she suffered great loss. As a young woman, she traveled Europe and studied painting — one of her teachers also taught Matisse. She was a fellow Montrealer and someone who did things ‘her way,’ I feel a connection to her, see her as a kindred spirit, but I need to pull back, need to leave it be. Meanwhile, I am spellbound. Who were you, the author in me keeps asking. Where is your art now and who is keeping it beautiful?
Artist, artist, you are beautiful too.

Anna, Efa Prudence Heward, 1927
https://www.thecanadianencyclopedia.ca/en/article/prudence-heward